The Malaysian-Hong Kong film “Pavane for an Infant,” directed by Chong Keat Aun, was presented in a press conference on Friday, 28 November at Honar Shahr Aftab Cineplex in Shiraz. The film competes in the Eastern Vista section of the 43rd Fajr International Film Festival.
The film stars Fish Liew, Natalie Hsu, Ben Yuen, and Pearlly Chua, who portray staff members at a center in Kuala Lumpur. Their characters dedicate themselves to helping women from diverse backgrounds navigate difficult decisions related to pregnancy and bodily autonomy. Through these performances, the film sheds light on social and cultural challenges faced by both women and children in contemporary Malaysia.
At the beginning of the session, Chong Keat Aun explained that the film explores a unique cultural aspect of Malaysia regarding infant care and adoption. “My film is about a part of Malaysian culture concerning abortion, which is illegal in Malaysia. Much of the message revolves around that,” he said. He described a special system in Malaysia where orphaned infants are first cared for in a dedicated section before being transferred to social welfare.
The director elaborated on the dual structure of child guardianship in Malaysia. One sector is supported by NGOs and focuses on women, while the other is state-run, with each hospital maintaining a designated department. He emphasized that the film divides its subject into four parts, examining Malaysia’s multi-religious context, each religion having its own approach to orphaned children.
Chong Keat Aun noted that many Malaysians are unaware of this system, particularly as contemporary challenges emerge. He highlighted the sensitivity of these topics and shared insights about the film’s production: “The initial budget for this film was entirely personal because the subject was new, hot, and sensitive. I pursued it with my own resources. However, due to the responses the film received and government recognition for its potential at the Oscars, I hope better opportunities will follow.”
The director also discussed funding structures in Malaysia, noting that tackling controversial subjects often requires personal investment, although neighboring countries such as Singapore may sometimes provide support depending on the film’s theme and sensitivity.
Reflecting on his career, Chong Keat Aun mentioned, “My previous films focused on childhood and past events, such as Malaysian identity and women’s experiences. This film continues my exploration of societal issues.” He concluded by expressing his desire to collaborate on filmmaking in Iran, citing films like “Children of Heaven” as familiar references for Malaysian audiences.
The 43rd Fajr International Film Festival is taking place in Shiraz, presenting a diverse program of screenings, press conferences, and cultural events that unite filmmakers, critics, and cinema lovers from across the globe.
