The press conference for “Two Faces of Autumn,” a co-production between Iran, Canada, and Australia directed by Ronak Taher, took place on Saturday, 29 November, at Honar Shahr Aftab Cineplex in Shiraz. Screening in the Future Frame section of the 43rd Fajr International Film Festival, the 2025 feature tells the story of an artist who, upon taking custody of her niece, must confront the lingering trauma of a past abortion. The cast includes Shabnam Moghaddami, Alireza Ara, Ali Dehkordi, Kazem Hajir-Azad, Ehtesham Boroumand, and Ronika Bahramzadeh, with Amir Parvin Hosseini serving as producer.
At the start of the session, Taher reflected on her artistic journey and transition to filmmaking. “I began with painting, visual art, and illustration,” she said. “At some point, I felt these images needed to move, which led me, almost by chance, into animation. I was fortunate that my first animation was accepted at the Berlin Festival. Later, I completed a degree in television directing in Australia.”
Taher spoke about her early experiences making short films abroad and the collaborative nature of filmmaking. “Filmmaking is a team effort; you have to coordinate with your crew and support everyone,” she explained. “I wasn’t sure I had this ability, so I made a short film in Iran. The producer supported me, and the result was a heartfelt film. Working in Iran is different from my experiences abroad, but I had always dreamed of working here. In Australia, I am known for my illustration work, and people say my films carry an Eastern spirit.”
Discussing the cultural influences on her work, Taher said, “I moved to Australia at the age of 20 and returned to Iran to make this film. At Melbourne University, my professor told me to be open to colleagues’ opinions and not bind myself to a single culture. You are like a house—you can add new rooms from other cultures. So I added an Iranian room to my work.”
On the film’s narrative, Taher explained, “The story is about twin sisters with contrasting personalities. Before coming to Iran, I researched extensively to prepare for their portrayal. I watched many Iranian films and knew which actors I wanted for these roles.” She highlighted her collaboration with Shabnam Moghaddami, stating, “I was fortunate to work with talented actors. Ms. Moghaddami was extremely cooperative and engaged throughout the process.”
Reflecting on her experience as a filmmaker in Australia and at international festivals, Taher added, “When you make your first film, you have so much to say that you often remind yourself not to put everything into the film. I was lucky to work with such committed actors, which made the process more rewarding.”
Now in its 43rd edition, the Fajr International Film Festival is underway in Shiraz from November 26 to December 3, 2025, hosting filmmakers, critics, and cinema professionals through a comprehensive program of screenings, discussions, and cultural programs.
